Interview by Helena Shan
How does your work typically evolve?
My projects usually start from a personal experience, and build outward to a more universal concept. While I love taking photographs, my work evolves significantly in my post-production. Working in the darkroom has shaped a lot of my decisions, and I try to bring back materiality into the image through the printing process. I’m always trying to evoke a sense of permanence, even in my images that feel fleeting or unstable.
How would you describe your current work?/ Describe your creative process in one word.
Yearning
Are there any motifs prevalent in your work and what is their significance if so?
My work often reflects a nostalgic sense of memory and the way relationships evolve over time. I think of the photograph as able to reach back in time, as a way of re-experiencing the past with a new perspective. On the other hand, I try to capture ephemeral moments of connection between people; cementing the past as its happening. I have a fear that one day my memory will fail me, and as such, photography is my way of journaling and conceptualizing the world around me in deeply personal ways.
What is your favorite place in NYC?
My favorite place to spend time is around Pier 26. I love watching the sunset on the river and enjoying the company of friends (usually my roommate!)
What are you currently watching/reading/listening to?
Currently listening to a lot of Adrianne Lenker and watching the new season of Below Deck. I can’t get enough reality TV!!
How do you think collaboration helps build ISO?
I think some of the best advice I’ve received is to take advantage of the connections I can make with fellow creatives during my undergrad years – there’s nothing like it outside of school! ISO Magazine brought me in as a freshman, and gave me the space to learn how to critically and freely think about photographs. There was no pressure, like a classroom, and the skills of working with a team came easily when it was in a fun environment.