Interviews · Journal · Read

In Conversation with Ashley Peña

Interview by Lamar Kendrick-Dial

© Ashley Peña

How does your work usually start?

How does my work start….I would say a lot of my photos are candid or in the moment. I’m usually not really thinking about it. Most often I just look at everyday actions in people and memorialize them through my images. If there’s a specific story that I wanna tell, I’ll look for people that can help me tell those stories. I prefer shooting with everyday people, or like people I’ve interacted with in my life. People who don’t typically model, since I think it’s important that people see themselves physically in artwork.

How would you describe your current work? How does it differ from your past work?

I feel like all of my work is connected. My work is a growing extension of when I started making photographs in 2015. My current work is a labor of love, It’s memories, current moments happening in real time, and honestly experimentation. It’s a lot. I’m experimenting a lot with motion, and I’ve been into physically altering work and working with negatives and physical paper – when I started, it was mainly into just a lot of digital work, or regular film and print.

© Ashley Peña

What do you take inspiration from outside of photography?

Life.

Is connection between you and the people you photograph important? How so?

Well, yes. Building a connection is important very important to me – especially with strangers – because comfortability is essential. Even with personal work, if a stranger comes in front of my camera, they already have a certain level of trust in me based on my past work. I often find myself in scenarios where people express how comfortable they are quickly. It’s in the presence and pacing of a shoot, I don’t approach with just my camera. I approach with words and conversation first and the photos come after. But with my family, I would say they really inform my photography. Just because of all of our different family dynamics, and seeing like the results of trauma and love and hate … all of it. With me documenting my families different connections with each other, sometimes I feel that I’m making work for them….. but I’m also documenting them. I want them to see themselves in images, the good and the bad. I find beauty in that.

© Ashley Peña

What’s your guilty pleasure?

Popeyes sweet & spicy wings.

What are you watching right now?

Well I’m rewatching girlfriends right now-it’s my comfort show.

What are you reading?

Women & migration(s) II edited by Kaila Brooks, Cheryl Finley, Ellyn Toscano, & Deborah Willis- a series of essays.

© Ashley Peña

What are you listening to?

In this very moment I have Eddie Kendricks’ Intimate Friends playing haha.

What’s the first thing you do every morning?

Give myself one tight hug. Then I turn on some tunes and go on about my day.

Interviews · Read

Katie Noble | ISO Editor-in-Chief

© Katie Noble

Interview by Helena Shan

How does your work typically evolve?

My projects usually start from a personal experience, and build outward to a more universal concept. While I love taking photographs, my work evolves significantly in my post-production. Working in the darkroom has shaped a lot of my decisions, and I try to bring back materiality into the image through the printing process. I’m always trying to evoke a sense of permanence, even in my images that feel fleeting or unstable.

© Katie Noble

How would you describe your current work?/ Describe your creative process in one word.

Yearning

© Katie Noble

Are there any motifs prevalent in your work and what is their significance if so?

My work often reflects a nostalgic sense of memory and the way relationships evolve over time. I think of the photograph as able to reach back in time, as a way of re-experiencing the past with a new perspective. On the other hand, I try to capture ephemeral moments of connection between people; cementing the past as its happening. I have a fear that one day my memory will fail me, and as such, photography is my way of journaling and conceptualizing the world around me in deeply personal ways.

© Katie Noble

What is your favorite place in NYC?

My favorite place to spend time is around Pier 26. I love watching the sunset on the river and enjoying the company of friends (usually my roommate!)

What are you currently watching/reading/listening to?

Currently listening to a lot of Adrianne Lenker and watching the new season of Below Deck. I can’t get enough reality TV!!

© Katie Noble

How do you think collaboration helps build ISO?

I think some of the best advice I’ve received is to take advantage of the connections I can make with fellow creatives during my undergrad years – there’s nothing like it outside of school! ISO Magazine brought me in as a freshman, and gave me the space to learn how to critically and freely think about photographs. There was no pressure, like a classroom, and the skills of working with a team came easily when it was in a fun environment.